LA ART BOOK FAIR OPENING TONIGHT AT THE MOCA
Free and open to the public, the LA Art Book Fair is a unique event for artists’ books, art catalogs, monographs, periodicals, and zines presented by over 250 international presses, booksellers, antiquarians, artists, and independent publishers.
The event will be open through the end of this weekend at the MOCA’s Geffen Contemporary location in Little Tokyo, and looks to see tens of thousands of print-lovers from around Southern California. A series of lectures and discussions curated by David Senior called The Classroom will draw visitors each and every day of the fair, and Hyperallergic will even be present and hosting a get-together of their own after hours on Saturday.
You can find more info at the LA ART BOOK FAIR site and at this interview with organizer AA Bronson. The opening event is tonight.
Author Archives: Drunken Librarian
LA Art Book Fair 2014 – Printed Matter

Downtown Los Angeles, California
The second edition of Printed Matter’s LA Art Book Fair kicked off last night in The Geffen Contemporary at MOCA as the fledgling of the famed NY Art Book Fair.
Over 250 international outfits are taking part in the assembly, and the range of offerings is highly impressive. Everything is egalitarian, sharply presented and extremely tempting.
Hometown heroes Ooga Booga, KesselsKramer, and Arcana — who are making waves on the international scene — are paired with their out-of-town peers, simultaneously repping their work and acting as ambassadors.The fair is going on until Sunday and is free to enter and enjoy, thanks to the selfless contributions of many. For more information and for the full schedule for screenings, panels, lectures and special events visit laartbookfair.net.
Come Alive :: Chromeo :: a Canadian electrofunk duo from Montreal
I have the choice of being constantly active and happy or introspectively passive and sad. Or I can go mad by ricocheting in between.
Stay drunk on writing
You must stay drunk on writing so reality cannot destroy you.
Excerpt from Raise High the Roof Beam, Carpenters
Seymour’s diary, Fort Monmouth, in late 1941 and early 1942:: J.D. Salinger
How I love and need her undiscriminating heart. She looked over at me when the children in the picture brought in the kitten to show their mother. M. loved the kitten and wanted me to love it. Even in the dark, I could sense that she felt the usual estrangement from me when I don’t automatically love what she loves. Later, when we were having a drink at the station, she asked me if I didn’t think that kitten was ‘rather nice.’ She doesn’t use the word ‘cute’ any more. When did I ever frighten her out of her normal vocabulary? Bore that I am, I mentioned R. H. Blyth’s definition of sentimentality: that we are being sentimental when we give to a thing more tenderness than God undoubtedly loves kittens, but not, in all probability, with Technicolor bootees on their paws. He leaves that creative touch to script writers. M. thought this over, seemed to agree with me, but the ‘knowledge’ was’t too very welcome. She sat stirring her drink and feeling unclose to me. She worries over the way her love for me comes and goes, appears and disappears. She doubts its reality simply because it isn’t as steadily pleasurable as a kitten. God knows it is sad. The human voice conspires to desecrate everything on earth.”
“Example” – Wislawa Szymborska
A gale
stripped all the leaves from the trees last night
except for one leaf
left
to sway solo on a naked branch.
With this example
Violence demonstrates
that yes of course—
it likes its little joke from time to time.
Ashbery Talks of Jane – Poetry, Jan 2014

“I met Jane Freilicher the day I arrived in New York in the summer of 1949, just after I graduated from college and decided to move here on the advice of my friend Kenneth Koch.”
John Ashbery talks about his friend, the painter Jane Freilicher, in the January 2014 issue of Poetry.
“The Snowman on the Moor” – Sylvia Plath
A story has no beginning or end: arbitrarily one chooses that moment from which to look back or from which to look ahead.

