Poetry

“Door in the Mountain” – Jean Valentine

Never ran this hard through the valley

never ate so many stars

 

I was carrying a dead deer

tied on to my neck and shoulders

 

deer legs hanging in front of me

heavy on my chest

 

People are not wanting

to let me in

 

Door in the mountain

let me in

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Poetry

“October” (6) – Louise Glück

Excerpted from Averno
6.

The brightness of the day becomes
the brightness of the night;
the fire becomes the mirror.

My friend the earth is bitter; I think
sunlight has failed her.
Bitter or weary, it is hard to say.

Between herself and the sun,
something has ended.
She wants, now, to be left alone;
I think we must give up
turning to her for affirmation.

Above the fields,
above the roods of the village houses,
the brilliance that made all life possible
becomes the cold stars.

Lie still and watch:
they give nothing but ask nothing.

From within the earth’s
bitter disgrace, coldness and barrenness

my friend the moon rises:
she is beautiful tonight, but when is she not beautiful?

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Quotes

Helena Bonham Carter said —

“I think everything in life is art. What you do. How you dress. The way you love someone, and how you talk. Your smile and your personality. What you believe in, and all your dreams. The way you drink your tea. How you decorate your home. Or party. Your grocery list. The food you make. How your writing looks. And the way you feel. Life is art.”

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Poetry

“I love the dark hours of my being” – Rainer Maria Rilke

I love the dark hours of my being
in which my senses drop into the deep.
I have found in them, as in old letters,
My private life, that is already lived through,
And become wide and powerful now, like legends.
Then I know that there is room in me
For a second huge and timeless life.

Rainer Maria Rilke, Selected Poems, Robert Bly translation

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Uncategorized

“To Be Worn Openly at the Wrist, or at the Chest and Hidden” — Carl Phillips, 1959

If I believed in a god, he would be a sea god, like the sea
in its predictability—now approach, now recede—beneath
such a god I would not mind, I think, being the shore, say of the sea
what you will, it’s the shore that endures the routine loss
without which what strategies would there be for softening
the hollowness that any victory, give it time, comes with,
how curb the risk of arrogance, with its doomed but
not undangerous hound, complacency?
                                                                  … I made this for you—
put it on. I know it’s not going to matter whether the decisions
I made were the ones eventually I even meant to make, or
should have, or should have thought maybe more than
twice about. What’s history anyway, except—according to
the latest mouth saying so—just what happened: I flourished
undramatically, to no apparent purpose, like pretty much
everyone. The sea dragged the shore; the shore suffered the sea.

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Poetry

“still life–color study” — t’ai freedom ford

       July 13, 2013

Saturday afternoon: in the driveway between buildings they blow up
balloons—yellow, red, blue—for a 3-year-old’s party.

The intermittent pops startle me like random gunfire—remind me
of birthdays brown boys will no longer celebrate.

The DJ, having set up the speakers, begins to play—the music, a rapid fire
of bass thump, commandeers the apartment. We have no choice but leave.

An art show: canvases colored with boxes and lines—a grid of red
on a backdrop of yellow. We speak of the abstract with wine in our mouths.

Meanwhile, in an antechamber, six are sequestered. They speak of mali-
cious intent, blood, evidence, testimony—murder versus manslaughter.

We arrive home to a throng of brown bodies, hands clutching red cups,
and music: its insistent treble stabbing the ears.

Inside, we slam all windows, but the music still blares as my niece shoots
people on the video game—its sounds are too realistic to bear.

Instead, the news, a verdict is in: not guilty. And everything is a blur
of sound, my heart beating so fast I put a hand to my chest.

I watch the TV screen: a collage of abstractions—spotlights, microphones,
smiles, handwritten signs. I stare, as if it were a painting—

a smear of twisted faces smothered in gesso and oil, a grid of red
on a backdrop of yellow—to make sense of.

The party continues. The 3-year-old probably in bed dreaming of melted
ice cream, and I am tired of partying.

There is a police station a half block away and I want it to burn. Instead,
only the smoke of weed, the meaningless music droning on,

the popping of balloons. Sunday morning, the birds are angry—their
chirping a noisy chant: NO NO NO NO. Outside, the rubbery flesh

of balloons color the driveway like splotches of paint. In an instant,
those still lives of heave and breath—gone in a pop.

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Poetry

“White Power” — Major Jackson

As it happened, I was twirling a cauliflower floret,
lost in Lewis’s wardrobe of pallid trees,
considering my country’s longing for homogenized milk
& bags of tube socks from Walmart,
which felt cancerous. What came to me like a surprise
snowfall in the soft evening of a snow globe,
one has to pinch salt and sprinkle in the palm,
repeatedly, especially when the temperature in mother’s
   trailer
has begun to drop. In this way, after your Constitution fades
you’ve your own hourglass and no one else to blame.

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