“Right Now” – Grace Paley

Right Now

The women let the tide go out
which will return which will return
the sand the salt the fat drowned babies
The men ran furiously
along the banks of the estuary
screaming
Come back you fucking sea
right now
right now

The best gift for a writer is an exquisite pen.

“Emergency Management” – Camille Rankine

The sun eats away at the earth, or the earth eats away
at itself and burning up,

I sip at punch.
So well practiced at this
living. I have a way of seeing

things as they are: it’s history
that’s done this to me.
It’s the year I’m told

my body will turn rotten,
my money talks but not enough,
I feel my body turn
against me.

Some days I want to spit
me out, the whole mess of me,
but mostly I am good

and quiet.
How much silence buys me

mercy, how much
silence covers all the lives it takes to make me.

In the event of every day and its newness
of disaster, find me sunning on the rooftop, please
don’t ask anything of me.

If I could be anything
I would be the wind,

if I could be nothing
I would be.

“Difference” – Mark Doty

 

The jellyfish
float in the bay shallows
like schools of clouds,

a dozen identical–is it right
to call them creatures,
these elaborate sacks

of nothing? All they seem
is shape, and shifting,
and though a whole troop

of undulant cousins
go about their business
within a single wave’s span,

every one does something unlike:
this one a balloon
open on both ends

but swollen to its full expanse,
this one a breathing heart,
this a pulsing flower.

This one a rolled condom,
or a plastic purse swallowing itself,
that one a Tiffany shade,

this a troubled parasol.
This submarine opera’s
all subterfuge and disguise,

its plot a fabulous tangle
of hiding and recognition:
nothing but trope,

nothing but something
forming itself into figures
then refiguring,

sheer ectoplasm
recognizable only as the stuff
of metaphor. What can words do

but link what we know
to what we don’t,
and so form a shape?

Which shrinks or swells,
configures or collapses, blooms
even as it is described

into something unlikely
marine chiffon:
a gown for Isadora?

Nothing but style.
What binds
one shape to another

also sets them apart
–but what’s lovelier
than the shapeshifting

transparence of like and as:
clear, undulant words?
We look at alien grace,

unfettered
by any determined form,
and we say: balloon, flower, 

heart, condom, opera
lampshade, parasol, ballet.
Hear how the mouth,

so full
of longing for the world,
changes its shape?