Category Archives: Fiction

“Because I could not stop for Death” – Emily Dicksinson

Because I could not stop for Death –
He kindly stopped for me –
The Carriage held but just Ourselves –
And Immortality.

We slowly drove – He knew no haste
And I had put away
My labor and my leisure too,
For His Civility –

We passed the School, where Children strove
At Recess – in the Ring –
We passed the Fields of Gazing Grain –
We passed the Setting Sun –

Or rather – He passed Us –
The Dews drew quivering and Chill –
For only Gossamer, my Gown –
My Tippet – only Tulle –

We paused before a House that seemed
A Swelling of the Ground –
The Roof was scarcely visible –
The Cornice – in the Ground –

Since then – ’tis Centuries – and yet
Feels shorter than the Day
I first surmised the Horses’ Heads
Were toward Eternity –

“A Day” – Emily Dickinson

I’ll tell you how the sun rose, —
A ribbon at a time.
The steeples swam in amethyst,
The news like squirrels ran.

The hills untied their bonnets,
The bobolinks begun.
Then I said softly to myself,
“That must have been the sun!”

* * *

But how he set, I know not.
There seemed a purple stile
Which little yellow boys and girls
Were climbing all the while

Till when they reached the other side,
A dominie in gray
Put gently up the evening bars,
And led the flock away.

“III. The Village” – David St. John

There are so many pianos still left

 

In the fields of the village

Where you insist that we continue

 

To live, so many pianos

 

Though only a few have remained faithful

To the serious chords of the wind.

 

For example, the camel-colored Steinway

 

Beneath the arbor of lavender wisteria

& drooping bougainvillea has barely

 

A dozen keys left working, their thin felt

 

Hammers long grown soggy as dawn mist,

Soft as the pillowing fog.

 

Still, you say, who cares? as you turn from me,

 

Stepping calmly onto the narrow stone terrace

Overlooking these perpetual fields—

 

Just as every young woman in this

 

Village stands each morning, every one of them,

& exactly at this moment of the day, satisfied by

 

The first ripple of light as it sketches

 

The body’s languid harmony. If I am lucky, I know

I will live forever in this ancient, lost village

 

Of pianos & a late pagan petulance.

– from The Red Leaves of Night

“The Mountain” – Emily Dickinson

The mountain sat upon the plain
In his eternal chair,
His observation omnifold,
His inquest everywhere.

The seasons prayed around his knees,
Like children ’round a Sire:
Grandfather of the days is he,
Of dawn the ancestor.

Excerpt from The Bone Clocks – David Mitchell

I think about pinball, and how being a kid’s like being shot up the firing lane and there’s no veering left or right;

you’re just sort of propelled. But once you clear the top, like when you’re sixteen, seventeen, or eighteen, suddenly

there’s a thousand different paths you can take, some amazing, others not.

Tiny little differences in angles and speed’ll totally alter what happens to you later, so a fraction of an inch to the right, and the ball’ll just hit a pinger and a dinger and fly down between your flippers, no messing, a waste of 10 p. But a fraction to the left and it’s action in the play zone, bumpers and kickers, ramps and slingshots and fame on the high-score table. My problem is, I don’t know what I want, apart from a bit of money to buy food later on today. Until the day before yesterday all I wanted was Vinny, but I won’t make that mistake again. Like a shiny silver pinball whizzing out of the firing lane, I’ve not got the faintest bloody clue where I’m going or what’ll happen next.

“Night Text” – Sarah Maclay

NIGHT TEXT

Let’s imagine I’m translating something to you–
you, asleep, or sleepless and naming
that third place–between–

with the tips of your tapering fingers–

I don’t know the language.
It bends.

In the mind–in that strangely shared chamber–
that is, I mean, in your hands,

where you show me those scenes of confusion and flight
with such intimacy, and don’t know it–

even sans color, sans liquor, sans shape,
we are twins. Fraternal. Unknown.

The moon, invasive, huge,
lunging in through the windows,
makes no exceptions–

It’s true: it will never happen / you’d be surprised.

“One Art” – Elizabeth Bishop

The art of losing isn’t hard to master;

so many things seem filled with the intent

to be lost that their loss is no disaster.

Lose something every day. Accept the fluster

of lost door keys, the hour badly spent.

The art of losing isn’t hard to master.

Then practice losing father, losing faster:

places, and names, and where it was you meant

to travel. None of these will bring disaster.

I lost my mother’s watch. And look! my last, or

next-to-last, of three loved houses went.

The art of losing ins’t hard to master.

I lost two cities, lovely ones. And, vaster,

some realms I owned, two rivers, a continent.

I miss them, but it wasn’t a disaster.

–Even losing you (the joking voice, a gesture

I love) I shan’t have lied. It’s evident

the art of losing’s not too hard to master

though it may look like (Write it!) like disaster.

Excerpt from The Giver – Louis Lowry

“Comfortable?” he asked, and she nodded, her eyes closed. Jonas squeezed cleansing lotion onto the clean sponge at the edge of the tub and began to wash her frail body.

Last night he had watched his father bathed the newchild. This was much the same: the fragile skin, the soothing water, the gentle motion of his hand, slippery with soap. The relaxed, peaceful smile on the woman’s face reminded him of Gabriel being bathed.

And the nakedness, too. It was against the rules for children or adults to look at another’s nakedness; but the rule did not apply to newchildren or the Old. Jonas was glad. It was a nuisance to keep oneself covered while changing for games, and the required apology if one had by mistake glimpsed another’s body was always awkward.

He couldn’t see why it was necessary.

He liked the feeling of safety here in this warm and quiet room; he liked the expression of trust on the woman’s face as she lay in the water unprotected, exposed, and free.

Excerpt from The Bone Clocks – David Mitchell

Through the thorny roses, between swaying bushes, down the dusty lawn, I run. I run like I’ve never run. The sun’s in my face and the wall’s not far. Halfway there, when I get to the trellis thing, I look back; he’s not running after me, like I dreaded, just standing there, a few steps from Ian and Heidi, who’re still lying dead so he’s letting me go–why who cares why he’s a mental psycho so run run run run run run, but, run, but, but, run, but . . . But I’m slowing, slowing, how, why, what, my heart’s straining like crazy, but it’s like the brake and accelerator are being pressed at the same time but whatever’s slowing down isn’t inside me, it’s not poison, it’s outside me, it’s time slowing up or gravity pulling harder, or air changing to water, or sand, or treacle . . . I have dreams like this–but I’m awake, it’s daytime, I know I’m awake . . . But, impossibly, I’ve stopped, like a statue of a runner, one foot raised for the next stride that’ll never come. This is mad. Infeckingsane. It occurs to me I ought to try to scream for help, it’s what people do, but all that comes out is this grunt spasm noise . . .

. . . and the world starts shrinking back towards the bungalow, hauling me along with it, helplessly.

“If — ” by Rudyard Kipling

If you can keep your head when all about you

Are losing theirs and blaming it on you,

If you can trust yourself when all men doubt you,

But make allowance for their doubting too;

If you can wait and not be tired by waiting,

Or being lied about, don’t deal in lies,

Or being hated, don’t give way to hating,

And yet don’t look too good, nor talk too wise:

 

If you can dream–and not make dreams your master;

If you can think–and not make thoughts your aim;

If you can meet with Triumph and Disaster

And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

And stoop and build ’em up with worn-out tools:

 

If you can make one heap of all your winnings

And risk it on one turn of pitch-and-toss,

And lose, and start again at your beginnings

And never breathe a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And so hold on when there is nothing in you

Except the Will which says to them: ‘Hold on!’

 

If you can talk with crowds and keep your virtue,

Or walk with Kings–nor lose the common touch,

If neither foes nor loving friends can hurt you,

If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run,

Yours is the Earth and everything that’s in it,

And–which is more–you’ll be a Man, my son!