“Poets don’t finish poems, they abandon them.”
Category Archives: Fiction
Excerpt from A Long Way Down – Nick Hornby
I once asked Dad what he’d do if he wasn’t working in politics, and he said he’d be working in politics, and what he meant, I think, is that wherever he was in the world, whatever job he was doing, he’d still find a way back, in the way that cats are supposed to be able to find a way back when they move house. He’d be on the local council, or he’d give out pamphlets, or something. Anything that was a part of that world, he’d do. He was a little sad when he said it; he told me it was, in the end, a failure of imagination.
And that’s me: I suffer from a failure of imagination. I could do what I wanted, every day of my life, and what I want to do, apparently, is to get walloped out of my head and pick fights. Telling me I can do anything I want is like pulling the plug out of the bath and then telling the water it can go anywhere it wants. Try it, and see what happens.
“This Is Just To Say” – William Carlos Williams
I have eaten
the plums
that were in
the icebox
and which
you were probably
saving
for breakfast
Forgive me
they were delicious
so sweet
and so cold
Excerpt from The Circle – Dave Eggers
Mae finished her wine, and felt briefly aglow. She squinted into the sun, turned away, and saw a man in the distance, on a silver sailboat, raising a tricolored flag.
“How old are you?” the woman asked. “You look about eleven.”
“Twenty-four,” Mae said.
“My god. You don’t have a mark on you. Were we ever twenty-four, my love?” She turned to the man, who was using a ballpoint pen to scratch the arch of his foot. He shrugged, and the woman let the matter drop.
“Beautiful out here,” Mae said.
“We agree,” the woman said. “The beauty is loud and constant. The sunrise this morning, it was so good. And tonight’s a full moon. It’s been rising full orange, turning silver as it climbs. The water will be soaked in gold, then platinum. You should stay.”
Excerpt from The Art of Racing in the Rain – Garth Stein
Here’s why I will be a good person. Because I listen. I cannot speak, so I listen very well. I never interrupt, I never deflect the course of the conversation with a comment of my own. People, if you pay attention to them, change the direction of one another’s conversations constantly. It’s like having a passenger in your car who suddenly grabs the steering wheel and turns you down a side street. For instance, if we met at a party and I wanted to tell you a story about the time I needed to get a soccer ball in my neighbor’s yard but his dog chased me and I had to jump into a swimming pool to escape, and I began telling the story, you, hearing the words “soccer” and “neighbor” in the same sentence, might interrupt and mention that your childhood neighbor was Pele, the famous soccer player, and I might be courteous and say, Didn’t he play for the Cosmos of New York? Did you grow up in New York? And you might reply that, no, you grew up in Brazil on the streets of Tres Coracoes with Pele, and I might say, I thought you were from Tennessee, and you might say not originally, and then go on to outline your genealogy at length. So my initial conversational gambit—that I had a funny story about being chased by my neighbor’s dog—would be totally lost, and only because you had to tell me all about Pele. Learn to listen! I beg of you. Pretend you are a dog like me and listen to other people rather than steal stories.
Excerpt from The Particular Sadness of Lemon Cake – Aimee Bender
Mom was also in the kitchen, rinsing a colander of broccoli under the faucet.
I looked at her when he was off and back.
Nice boy, she said
Not a desert, I said.
What do you mean? She put the broccoli aside, to drip into the sink.
You said Joseph was the desert?
She ran her hands under the tap. Nah, not the desert, she said, as if that conversation had never happened. Joseph, she said, is like a geode—plain on the outside, gorgeous on the inside.
I watched her dry her hands. My mother’s lithe, able fingers. I felt such a clash inside, even then, when she praised Joseph. Jealous, that he got to be a geode—a geode!—but also relieved, that he soaked up most of her super-attention, which on occasion made me feel like I was drowning in light. The same light he took and folded into rock walls to hide in the beveled sharp edges of topaz crystal and schorl.
He has facets and prisms, she said. He is an intricate geological surprise.
I stayed at the counter. I still held the Lego train in my hands.
And what’s Dad? I said.
Oh, your father, she said, leaning her hip against the counter. Your father is a big strong stubborn gray boulder. She laughed.
And me? I asked, grasping, for the last time.
You? Baby, you’re—
I stood still. Waiting.
You’re—
She smiled at me, as she folded the blue-and-white-checked dish towel. You’re seaglass, she said. The pretty green kind. Everybody loves you, and wants to take you home.
Excerpt from Rage (1977) – Stephen King
There isn’t any division of time to express the marrow of our lives, the time between the explosion of lead from the muzzle and the meat impact, between the impact and the darkness. There’s only barren instant replay that shows nothing new. I shot her; she fell; and there was an indescribable moment of silence, an infinite duration of time, and we all stepped back, watching the ball go around and around, ticking, bouncing, lighting for an instant, going on, heads and tails, red and black, odd and even…I think that moment ended. I really do. But sometimes, in the dark, I think that hideous random moment is still going on, that the wheel is even yet in spin, and I dreamed all the rest. What must it be like for a suicide coming down from a high ledge? I’m sure it must be a very sane feeling. That’s probably why they scream all the way down.
Haiku – Buson
A lightning flash—
the sound of water drops
falling through bamboo
Excerpt from Seymour An Introduction – J.D. Salinger
A good many years later, not long after the outbreak of the Second World War, when Seymour and I had just recently moved into a small New York apartment of our own, our father—Les, as he’ll be called hereafter—dropped in on us one evening on his way home from a pinochle game. He quite apparently had held very bad cards all afternoon. He came in, at any rate, rigidly predisposed to keep his overcoat on. He sat. He scowled at the furnishings. He turned my hand over to check for cigarette-tar stains on my fingers, then asked Seymour how many cigarettes he smoked a day. He thought he found a fly in his highball.
At length, when the conversation—in my view, at least—was going straight to hell, he got up abruptly and went over to look at a photograph of himself and Bessie that had been newly tacked up on the wall. He glowered at it for a full minute, or more, then turned around, with a brusqueness no one in the family would have found unusual, and asked Seymour if he remembered the time Joe Jackson had given him, Seymour, a ride on the handle bars of his bicycle, all over the stage, around and around. Seymour, sitting in an old corduroy armchair across the room, a cigarette going, wearing a blue shirt, gray slacks, moccasins with the counters broken down, a shaving cut on the side of his face that I could see, replied gravely and at once, and in the special way he always answered questions from Les—as if they were the questions, above all others, he preferred to be asked in his life. He said he wasn’t sure he had ever got off Joe Jackson’s beautiful bicycle. And aside from its enormous sentimental value to my father personally, this answer, in a great many ways, was true, true, true.
Excerpt from Looking for Alaska – John Green
Imagining the future is a kind of nostalgia. You spend your whole life stuck in the labyrinth, thinking about how you’ll escape it one day, and how awesome it will be, and imagining the future keeps you going, but you never do it. You just use the future to escape the present.
