“Love (III)” – George Herbert

Love bade me welcome: yet my soul drew back,

Guilty of dust and sin.

But quick-eyed Love, observing me grow slack

From my first entrance in,

Drew nearer to me, sweetly questioning

If I lacked anything.

“A guest,” I answered, “worthy to be here”:

Love said, “You shall be he.”

“I, the unkind, ungrateful? Ah, my dear,

I cannot look on thee.”

Love took my hand, and smiling did reply, 

“Who made the eyes but I?”

“Truth, Lord; but I have marred them; let my shame

Go where it doth deserve.”

“And know you not,” says Love, “who bore the blame?”

“My dear, then I will serve.”

“You must sit down,” says Love, “and taste my meat.”

So I did sit and eat.

Excerpt from The Velveteen Rabbit

“Real isn’t how you were made,” said the Skin Horse. “It’s a thing that happens to you. When a child loves you for a long, long time, not just to play with, but REALLY loves you, then you become Real.”

“Does it hurt?” asked the Rabbit.

“Sometimes,” said the Skin Horse, for he was always truthful. “When you are Real, you don’t mind being hurt.”

“Does it happen all at once, like being wound up,” he asked, “or bit by bit?”

“It doesn’t happen all at once,” said the Skin Horse. “You become. It takes a long time. That’s why it doesn’t happen often to people who break easily, or have sharp edges, or who have to be carefully kept. Generally, by the time you are Real, most of your hair has been loved off, and your eyes drop out and you get loose in the joints and very shabby. But these things don’t matter at all, because once you are Real you can’t be ugly, except to people who don’t understand.

:: Margery Williams

In You The Earth – Pablo Neruda

Little,

rose,

roselet,

at times,

tiny and naked,

it seems

as though you would fit

in one of my hands,

as though I’ll clasp you to my mouth,

but

suddenly

my feet touch your feet and my mouth your lips:

you have grown,

your shoulders rise like two hills,

your breasts wander over my breast,

my arm scarcely manages to encircle the thin

new-moon line of your waist:

in love you have loosened yourself like sea water:

I can scarcely measure the sky’s most spacious eyes

and I lean down to your mouth to kiss the earth.

Excerpt from The Year of Magical Thinking

We are imperfect mortal beings, aware of that mortality, even as we push it away, failed by our very complication, so wired that when we mourn our losses we also mourn, for better or for worse, ourselves. As we were. As we are no longer. As we will one day not be at all.

Joan Didion – The Year of Magical Thinking

Tell Me, Is the Rose Naked? – Pablo Neruda

Tell me, is the rose naked,

Or is that her only dress?

Why do trees conceal

The splendor of their roots?

Who hears the regrets

of the thieving automobile?

Is there anything in the world sadder

Than a train standing in the rain?

As Long As You’re Out There Somewhere Shining

Lines Off My Mind’s Shelf


He cut off Hunter, talking about something as we sat around the bar table—

“Will you stop that?” he said to me, smiling.

I was bopping my head as I responded to a text message on my phone. Without looking up at him, I grinned, stood up and continued dancing, spinning around to the music of the room until I pressed send. He laughed and got up too.

“Now, you’re both embarrassing me,” Hunter said.

“You have to come join us,” I said.

He stood up and we all danced solo in the empty room of the Jazz club. We were the only guests besides the man fixing the stage in the corner. The waitresses behind the bar laughed casually at our sparse entertainment. The only light in the room streamed through the front door, white, propped open to remind us of the absurdity that was us hiding in the dark during such beautiful daylight. It was 4:30pm on a Sunday, and it was happy hour. 

“I Lick the Froth” – H. M. Scheppers

My tongue like bark,

I lick the froth from

my steamed soy milk

like the taste of Mom’s pinecone crafts.

Unlike the sap of my early days

of 2% that Mom had filled for my

jelly jar glass each dinner 

in the dining room with crystals.

Like cardboard, soy steam pours

over my tongue’s tip—

scrapes the buds, like the way 

Dad scraped buds in the backyard, 

the lawnmower chasing us 

in diagonals and cupcakes.

My mouth a dry scone,

I sip more, sipping mean,

until my tongue chars like

the night I reached for the switch

and realized Dad no longer

tucked me in.

The grand bland lather of Silk

rushes over my tongue of shingles 

until the foam slopes at the bottom

like shampoo slopping below my ear.

My tongue of pinecones, bitter and

arching for froth,

for the kitchen sink after midnight,

for a venom of milk,

for the sap of my early days.