The mountain sat upon the plain
In his eternal chair,
His observation omnifold,
His inquest everywhere.
The seasons prayed around his knees,
Like children ’round a Sire:
Grandfather of the days is he,
Of dawn the ancestor.
an abandoned chest of roistering literature for the drunk and rampant reader.
The mountain sat upon the plain
In his eternal chair,
His observation omnifold,
His inquest everywhere.
The seasons prayed around his knees,
Like children ’round a Sire:
Grandfather of the days is he,
Of dawn the ancestor.
Let’s imagine I’m translating something to you–
you, asleep, or sleepless and naming
that third place–between–
with the tips of your tapering fingers–
I don’t know the language.
It bends.
In the mind–in that strangely shared chamber–
that is, I mean, in your hands,
where you show me those scenes of confusion and flight
with such intimacy, and don’t know it–
even sans color, sans liquor, sans shape,
we are twins. Fraternal. Unknown.
The moon, invasive, huge,
lunging in through the windows,
makes no exceptions–
It’s true: it will never happen / you’d be surprised.
I remember when my body
was a friend,
when sleep like a good dog
came when summoned.
The door to the future
had not started to shut,
and lying on my back
between cold sheets
did not feel
like a rehearsal.
Now what light is left
comes up—a stain in the east,
and sleep, reluctant
as a busy doctor,
gives me a little
of its time.
from The Virginia Quarterly Review
—as in, pre-flutter, that kingdom of semi-purpleness— should I
say dome of— that area of anti-limp, lawless, drunk on your
fingering, unfingering— that omnivore, oh, eating now your—
even your branches, iceless, anti frozen, gazelle flying toward the
twin kingdoms of your cheekness (more at “flying buttress”),
nearly periwinkling now— that perpetrator of the semi-grunt,
grunt, instigator of the groanful demi-flood of— flutter, flutter,
post-flutter— gorge of neomauve, rich canal of sunsetish plush,
now unguardedly sub-fuschia; that private brandied eyelash
batting at you in its brashest postcool queenness, plump and
succulent as a plum—
—-The Best American Erotic Poems: From 1800 to the Present, 2008
Little,
rose,
roselet,
at times,
tiny and naked,
it seems
as though you would fit
in one of my hands,
as though I’ll clasp you to my mouth,
but
suddenly
my feet touch your feet and my mouth your lips:
you have grown,
your shoulders rise like two hills,
your breasts wander over my breast,
my arm scarcely manages to encircle the thin
new-moon line of your waist:
in love you have loosened yourself like sea water:
I can scarcely measure the sky’s most spacious eyes
and I lean down to your mouth to kiss the earth.
Tell me, is the rose naked,
Or is that her only dress?
Why do trees conceal
The splendor of their roots?
Who hears the regrets
of the thieving automobile?
Is there anything in the world sadder
Than a train standing in the rain?

The Mouse’s Tail
I’ll clear the old, putrid fruit,
the carcasses of bees where oranges have fallen
and the drying turds the dogs have dropped.
I’ll sweep away the fallen avocado leaves
grown snowy with their infestations,
snip the stems of toppled flowers, toss them.
I’ll yank the hose across the grass,
turn the rusty faucet,
let the lawn moisten
to a loose, runny black.
I’ll water the rosemary
till I can smell it on my fingers.
Time to grab the trowel.
Time to dig,
to take off the gloves,
let the handle callous the palm,
fill the fingernails
with dirt.
Time to brush the trickle from the forehead.
Time to plant the bulb,
to fill the hole with loam and water,
covering the roots.
Time to join the soil to soil
until the night is jasmine
and a thickness like a scent of lilies
rises off the bed;
until the stalks of the naked ladies fall to the ground,
twisting on their roots;
until our broken fists lie blooming.